Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Francois-Edouard Picot
Cybele protects from Vesuvius the towns of Stabiae

ID: 71992

Francois-Edouard Picot Cybele protects from Vesuvius the towns of Stabiae
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Francois-Edouard Picot Cybele protects from Vesuvius the towns of Stabiae


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Francois-Edouard Picot

(10 October 1786 - 15 March 1868) was a French painter during the July Monarchy, painting mythological, religious and historical subjects.   Related Paintings of Francois-Edouard Picot :. | Cybee protee contre le Veuve les villes de Stabiae Herculaneum Pompei et Reina | Cybele protects from Vesuvius the towns of Stabiae | L Amour et Psyche | The Siege of Calais | Cybele protects from Vesuvius the towns of Stabiae, Herculaneum, Pompeii and Resina |
Related Artists:
Giacinto Gigante
(1806-1876) was an Italian painter. Gigante was introduced to painting by his father Gaetano Gigante. His brothers Achille Gigante and Ercole Gigante also became landscape artists. He trained in the style of Hackert and was influenced by the technical drawing carried out at the Naples Royal Institute of Fine Arts. Along with Achille Vianellihe was to be strongly influenced by a large colony of foreign painters then present in Naples including Huber and Pitloo. From Wolfgang Huber Gigante learnt watercolour technique and the use of the panoramic ?-amera lucidae method. Via Huber he met the Dutch artist Anton Sminck van Pitloo, who became his teacher for a few years. In 1823 Gigante won the Naples Royal Institute of Fine Arts drawing competition. In 1826 he displayed four works at the first Esposizione di Belle Arti. Reportedly though Gigante did not fit in well with the life of the Naples Royal Institute of Fine Arts and left. Around 1826 he was living in Naples in Vicoletto del Vasto 15, with Van Pitloo, Carl Götzloff and Teodoro Duclere. He is considered the foremost exponent of the 19th-century Neapolitan "Posillipo School" of painting.
Giovanni Battista Castagneto
painted Seascape in 1851 - 1900
Master of Avila
15 Master of Avila Nativity 1474-76 Oil on wood Museo Lezaro Galdiano, Madrid This is the finest work of the master, it forms part of a triptych as the central panel. The left panel was the Annunciation to the Shepherds while the right panel represented the Annunciation to the Magi. The composition follows the example of Gallego's paintings and the use of the cool colors






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